Cantate Domino is probably the best known recording of sacred music in the world of audiophile listeners. There should be hardly anyone who has any of the various versions of this legendary live recording of the concert in the Oscarskyrhan in Stockholm. Recorded on a Revox A-77 tape machine with only two microphones offer the recordings of 1976, a high level of spatial information and naturalness. One would think that there are no surprises at such a legendary title. But the present UHD taught us better. The most noticeable change is probably the white album cover. In the search for the original version of the LP met Winston Ma of load Impression Music on the first pressing on which a church can be seen on a white background. Only for repressing let Proprius chief Jacob Boethius refine the image and give it the classic black look. ventilated Even more exciting is the secret to the size of the choir.
Ma heard the story of the engineer Bertil Alving, with the same, again went to the Oscar Church four days after the actual recording due to his dissatisfaction. Armed with his recording equipment and speakers, which he placed on the gallery, he listened again and again to the choir and feilte its machines the sound until he was satisfied with the result. When Ma recounted now, like many singers of the choir actually existed, critics of the orders of magnitude between 250 and 400 persons were attributed, he came to the amazing number: 38 Plus organist, choir and soloist